Psalm.25

Ah One for is written for two vibraphones and amplified acoustic bass. It is structured to produce 24 clusters of activity with the bass part serving as an interconnecting voice.

Inspired by the percussive mallet music of Uganda, each player in this unique piece uses 2 mallets, and all three players play on one 5-octave marimba. Numerous melo-rhythmic lines interlock to form an

A lively frame drum solo for one player that will appeal to players and audiences alike! Extensive performance notes included.

Festive collection of eight titles for the holiday season. The arrangements in this collection are all part of a genre known as VILLANCICO. This is the Spanish label for a traditional popular song.

Scored for four players, Chroma 1 makes interesting use of tonal colors and rhythmic syncopations. All parts are written for two mallets. The piece requires two instruments with two

This title, scored for 8 to 13+ players, was designed to be a flexible composition for junior high programs that desire to introduce students to percussion ensemble. It can be performed by players with

Concert Suite is an accessible five movement work for the concert hall. Each movement retains a unique character calling for a variety of contemporary techniques including edge-to-center

Here is an appealing showcase for a performer to demonstrate their musical abilities on hand drums. There is plenty of room for improvisation.

This is a challenging three movement concerto for marimba and orchestra written for Will Hudgins and the Boston Symphony Orchestra. The orchestration is colorful but light, leaving space for the natural

Scored for four or five players, this ensemble is a rudimental fantasy which utilizes themes from three traditional snare drum compositions: Three Camps; The Downfall of Paris and

An accessible all drum trio of moderate difficulty. With a quick tempo, interlocking patterns and the sharing of two pairs of bongos, Drum Amalgam is a fun visual and sonic workout. In addition to

This piece, scored for five players, is an exploration into the subtleties of the sounds of both metal and wood. Grounded by a rhythmic theme that is heard both in the beginning and again toward the end of

One of the first titles in the repertoire for percussion and recorded sound, this classic recital piece has been re-worked so as to be played with CD accompaniment. The piece is a duet between

This challenging Etude provides a unique approach to practicing the standard classical snare drum repertoire. More than thirty works are referenced in the Etude, and there are often multiple quotations of

The word fantasia has been defined as a piece where free flight of fancy prevails over contemporary conventions of form or style. The piece usually has an improvisatory character. The term can also

Here is the second-place winner of the 2015 PAS Italy Composition Contest. In this challenging solo, several different contrasts in timbre are achieved by using the normal playing area as well as the rim

Gray 102 is a timpani solo for four drums which features subtlety as its core. Through the use of quiet dynamics, short melodic motives, ringing chords, and a nod to funk-influenced bass lines, the

From Robert Cohen's Homeland Security Suite for Percussion, Green Alert is the lowest level on the Homeland Security Advisory System, a level that is unlikely to be attained.

Here is the first place winner of the 2015 PAS Italy Composition Contest. A unique multi-percussion duet centered on two snare drums that are mounted snare side up. Various sonic effects are created by

Journey to the Dayspring is an up-tempo, rhythmic romp for six players. It features interlocking rhythmic patterns, meter changes, dynamic contrasts, and a few instances of 5/4 that will provide a

Inspired by Biblical imagery found in the book of Reveleation - this is a challenging snare solo that primarily utilizes advanced rudimental patterns and configurations - from beginning to end! Advanced

Written with a pop flavor utilizing elements of polyphonic texture with rich harmonic voicings and Latin-American influenced rhythms, Koda will make a great addition to any recital performance.

Latin Looks is scored in a lively Latin-rock groove for two marimbas, percussion and bass. The piece can be played as a duet with accompaniment track, or without the recorded accompaniment and